gogogo
Syndetics cover image
Image from Syndetics

Stirling.

Contributor(s): Material type: FilmFilmPublisher number: 6982236 | KanopyPublisher: Michael Blackwood Productions, 1986Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2019Description: 1 online resource (streaming video file) (61 minutes): digital, .flv file, soundContent type:
  • two-dimensional moving image
Media type:
  • computer
Carrier type:
  • online resource
Subject(s): Genre/Form: Online resources: Charles Jencks, Colin Amery, Gavin Stamp, James Stirling, Michael Wilford, Richard RogersSummary: James Stirling takes us from Germany, to London, to Boston, guiding us through three of his widely famed museums. Though the buildings designed and created by the established architect contain some of the world’s most notable works of art, Stirling reminds us that architecture serves as its very own long standing piece. Influenced greatly by both the European avant-garde and classic Victorian structures, Stirling is bold and daring in his designs. Both his colleagues and critics reject the classification of Stirling as a Postmodernist, believing the term “rogue architect” to fit him better. With no desire to abide by the rules of a specific and timely movement, Stirling creates with a free and explorative hand.
No physical items for this record

Title from title frames.

Film

In Process Record.

Charles Jencks, Colin Amery, Gavin Stamp, James Stirling, Michael Wilford, Richard Rogers

Originally produced by Michael Blackwood Productions in 1986.

James Stirling takes us from Germany, to London, to Boston, guiding us through three of his widely famed museums. Though the buildings designed and created by the established architect contain some of the world’s most notable works of art, Stirling reminds us that architecture serves as its very own long standing piece. Influenced greatly by both the European avant-garde and classic Victorian structures, Stirling is bold and daring in his designs. Both his colleagues and critics reject the classification of Stirling as a Postmodernist, believing the term “rogue architect” to fit him better. With no desire to abide by the rules of a specific and timely movement, Stirling creates with a free and explorative hand.

Mode of access: World Wide Web.

In English

Powered by Koha