Why Has Bodhi-Dharma Left for the East?.

Contributor(s):

Material type: Film

FilmPublisher number: 12557333 | KanopyPublisher: Kino Lorber, 1989Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2021Description: 1 online resource (streaming video file) (145 minutes): digital, .flv file, soundContent type:

two-dimensional moving image

Media type:

computer

Carrier type:

online resource

Subject(s):

Genre/Form:

Feature films.

Online resources:

Yong-Kyun BaeSummary: The first ever feature-length film from South Korea to gain theatrical distribution in the USA, WHY HAS BODHI-DHARMA LEFT FOR THE EAST? has received acclaim from critics and audiences around the world for decades. A film of remarkable power and beauty, the story follows a trio of monks in a remote mountain monastery as they grapple with the mystery of enlightenment. The oldest among them, a storied Zen master, wishes to make the ceremony of his upcoming death into a lesson for his conflicted apprentice, while the youngest among them attempts to nurse a bird he hit with a stone back to full health. The title of the film is a Zen koan, or a paradox meant to aid meditation, that provokes the question of the distinction between leaving and arriving. Magnificent, quietly powerful and astonishingly rich in formal beauty, this film is not only a cinematic gem, but an evocative meditation on the cyclical nature of existence.

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Yong-Kyun Bae

Originally produced by Kino Lorber in 1989.

The first ever feature-length film from South Korea to gain theatrical distribution in the USA, WHY HAS BODHI-DHARMA LEFT FOR THE EAST? has received acclaim from critics and audiences around the world for decades. A film of remarkable power and beauty, the story follows a trio of monks in a remote mountain monastery as they grapple with the mystery of enlightenment. The oldest among them, a storied Zen master, wishes to make the ceremony of his upcoming death into a lesson for his conflicted apprentice, while the youngest among them attempts to nurse a bird he hit with a stone back to full health. The title of the film is a Zen koan, or a paradox meant to aid meditation, that provokes the question of the distinction between leaving and arriving. Magnificent, quietly powerful and astonishingly rich in formal beauty, this film is not only a cinematic gem, but an evocative meditation on the cyclical nature of existence.

Mode of access: World Wide Web.

In English