Object to be destroyed the work of Gordon Matta-Clark Pamela M. Lee
Material type:
TextPublication details: Cambridge, MA MIT Press c2000Description: xx, 280 p. ill. 24 cmISBN: - 0262122200
- 709.2 MAT
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Standard Loan | LSAD Library Main Collection | 709.2 MAT (Browse shelf(Opens below)) | 1 | Available | 39002000281387 |
Enhanced descriptions from Syndetics:
Although highly regarded during his short life - and honoured by artist and architects today - the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as building cuts. Sculptural transformations of architecture produced through direct cuts into buidings scheduled for demolition, these works now exist only as sculptural fragments, photographs and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space.
Includes bibliographical references (p. 236-271) and index
Table of contents provided by Syndetics
- Acknowledgments (p. VIII)
- Introduction: Gordon Matta-Clark and the Question of "Work" (p. X)
- 1 The First Place (p. 2)
- 2 Improper Objects of Modernity (p. 56)
- 3 On Matta-Clark's "Violence"; or, What is a "Phenomenology of the Sublime"? (p. 114)
- 4 On the Holes of History (p. 162)
- 5 Conclusion: to be Contemporary (p. 210)
- Notes (p. 236)
- Index (p. 272)