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Is art history global? / edited by James Elkins.

Contributor(s): Material type: TextTextSeries: Art seminar ; v. 3.Publication details: New York ; London : Routledge, c2007.Description: viii, 464 p. ; 21 cmISBN:
  • 9780415977852 (pbk.)
  • 0415977851 (pbk.)
Subject(s): DDC classification:
  • 701.15 ELK
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 701.15 ELK (Browse shelf(Opens below)) 1 Available 39002100452235

Enhanced descriptions from Syndetics:

This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies.

Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.

Bibliogr.

Table of contents provided by Syndetics

  • Series Preface (p. v)
  • Section 1 Introduction (p. 1)
  • Art History as a Global Discipline (p. 3)
  • Section 2 Starting Points (p. 25)
  • Notes on Art History in Latin America (p. 27)
  • On David Summers's Real Spaces (p. 41)
  • The Modality of Spatial Categories (p. 73)
  • Is a Truly Global Art History Possible? (p. 81)
  • Section 3 The Art Seminar (p. 113)
  • Participants: Friedrich Teja Bach, James Elkins, Andrea Giunta, Ladislav Kesner, Sandra Klopper, and David Summers
  • Section 4 Assessments (p. 177)
  • Ralph Ubl (p. 177)
  • Maria de Los Angeles Taberna and Humberto Valdivieso (p. 179)
  • Barbara Maria Stafford (p. 184)
  • Matthew Rampley (p. 188)
  • Chika Okeke-Agulu (p. 202)
  • Keith Moxey (p. 207)
  • Suzana Milevska (p. 214)
  • Atta Kwami (p. 222)
  • Dan Karlholm (p. 227)
  • Romuald Tchibozo (p. 232)
  • Suman Gupta (p. 236)
  • George Intsiful (p. 247)
  • Shigemi Inaga (p. 249)
  • Craig Clunas (p. 279)
  • David Carrier (p. 286)
  • Kitty Zijlmans (p. 289)
  • Hans Dam Christensen (p. 298)
  • Jorgelina Orfila (p. 310)
  • Charlotte Bydler (p. 316)
  • Frank Vigneron (p. 322)
  • Carol Archer (p. 341)
  • Heie Treier (p. 344)
  • Atreyee Gupta and Sugata Ray (p. 348)
  • Thomas DaCosta Kaufmann (p. 357)
  • Sandy Ng (p. 364)
  • Mariusz Bryl (p. 365)
  • Ekaterina Degot (p. 371)
  • Leonard Bell (p. 376)
  • Section 5 Afterword (p. 403)
  • Globalizing Art History (p. 405)
  • Notes on Contributors (p. 441)
  • Index (p. 451)

Author notes provided by Syndetics

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is author of Pictures and Tears, How to Use Your Eyes, and What Painting Is, and, most recently, The Strange Place of Religion in Contemporary Art and Master Narratives and Their Discontents, all published by Routledge.

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