Retro : the culture of revival / Elizabeth E. Guffey.

Enhanced descriptions from Syndetics:

Bell-bottoms are in. Bell-bottoms are out. Bell-bottoms are back innbsp;again. Fads constantly cycle and recycle through popular culture, each time in a slightly new incarnation. The term "retro" has become the buzzword for describing such trends, but what does it mean? Elizabeth Guffey explores here the ambiguous cultural meanings of the term and reveals why some trends just never seem to stay dead.nbsp;

Drawing upon a wealth of original research and entertaining anecdotal material, Guffey unearths the roots of the term "retro" and chronicles its evolving manifestations in culture and art throughout the last century. Whether in art, design, fashion, or music, the idea of retro has often meant a reemergence of styles and sensibilities that evoke touchstones of memory from the not-so-distant past, ranging from the drug-induced surrealism of psychedelic art to the political expression of 1970s afros.

Guffey examines how and why the past keeps coming back to haunt us in a variety of forms, from the campy comeback of art nouveau nearly fifty years after its original decline, to the infusion of art deco into the kitschy glamor of pop art, to the recent popularity of 1980s vogue. She also considers how advertisers and the media have employed the power of such cultural nostalgia, using recycled television jingles, familiar old advertising slogans, and famous art to sell a surprising range of products.

An engrossing, unprecedented study, Retro reveals the surprising extent to which the past is embedded in the future.

Table of contents provided by Syndetics

• Introduction: Remembering When We Were Modern
• 1 When Art Nouveau Became New Again
• 2 ModerneTimes
• 3 Fabricated 1950s
• 4 The Lure of Yesterday's Tomorrows
• Epilogue
• References
• Select Bibliography and Filmography
• Acknowledgements
• Photographic Acknowledgements

Author notes provided by Syndetics

Elizabeth Guffey is associate professor of art and design history at Purchase College, State University of New York and is also vice president of the Design Studies Forum. She is the author of Drawing an Elusive Line: The Art of Pierre-Paul Prud'hon , and writes regularly on the history and criticism of nineteenth- and twentieth-century art and design.