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Pop music and the press / edited by Steve Jones.

Contributor(s): Material type: TextTextSeries: Sound mattersPublication details: Philadelphia : Temple University Press, 2002.Description: xii, 270 p. ; 24 cmISBN:
  • 1566399661 (pbk. : alk. paper)
Subject(s): DDC classification:
  • 781.64 JON
Contents:
Intro: Popular music, media, and the written word / Steve Jones -- Institutions and history -- Re-viewing rock writing, narratives of popular music criticism / Steve Jones and Kevin Featherly -- Brit crit, turning points in British rock criticism, 1960-1990 / Gestur Gudmundsson, Ulf Lindberg, Morten Michelsen, and Hans Weisethaunet -- Word power, a brief, highly opinionated history of hip-hop journalism / Jeff Chang -- Critical senility vs. overcomprehension, rock criticism and the lesson of the avant-garde / Robert B. Ray -- Discourses -- Consumers\' guides, the political economy of the music press and the democracy of critical discourse / Mark Fenster -- Between rock and a hard place, gender and rock criticism / Kembrew McLeod -- Exclusive! the British press and popular music, the story so far ... / Martin Cloonan -- Abandoning the absolute, transcendence and gender in popular music discourse / Holly Kruse -- Politics and history of hip-hop journalism / Kembrew McLeod -- Case studies -- Jewel case, pop stars, poets, and the press / Thomas Swiss -- Taking country music seriously, coverage of the 1990\'s boom / Joli Jensen -- Sweet nothings, presentation of women musicians in pop journalism / Brenda Johnson-Grau -- Day the music died - again, newspaper coverage of the deaths of popular musicians / Sharon R. Mazzarella and Timoth M. Matyjewicz -- Coda -- Fragments of a sociology of rock criticism / Simon Frith -- Outro / Chris Nelson.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan Moylish Library Main Collection 781.64 JON (Browse shelf(Opens below)) 1 Available 39002000370214

Enhanced descriptions from Syndetics:

Since the 1950s, writing about popular music has become a staple of popular culture. Rolling Stone, Vibe, and The Source as well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution.Pop Music and the Press looks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well. Their essays illuminate the complex relationships of the music industry, print media, critical practice, and rock culture. (And they repeatedly dispel the notion that being a journalist is the next best thing to being a rock star.)

Includes bibliographical references and index.

Intro: Popular music, media, and the written word / Steve Jones -- Institutions and history -- Re-viewing rock writing, narratives of popular music criticism / Steve Jones and Kevin Featherly -- Brit crit, turning points in British rock criticism, 1960-1990 / Gestur Gudmundsson, Ulf Lindberg, Morten Michelsen, and Hans Weisethaunet -- Word power, a brief, highly opinionated history of hip-hop journalism / Jeff Chang -- Critical senility vs. overcomprehension, rock criticism and the lesson of the avant-garde / Robert B. Ray -- Discourses -- Consumers\' guides, the political economy of the music press and the democracy of critical discourse / Mark Fenster -- Between rock and a hard place, gender and rock criticism / Kembrew McLeod -- Exclusive! the British press and popular music, the story so far ... / Martin Cloonan -- Abandoning the absolute, transcendence and gender in popular music discourse / Holly Kruse -- Politics and history of hip-hop journalism / Kembrew McLeod -- Case studies -- Jewel case, pop stars, poets, and the press / Thomas Swiss -- Taking country music seriously, coverage of the 1990\'s boom / Joli Jensen -- Sweet nothings, presentation of women musicians in pop journalism / Brenda Johnson-Grau -- Day the music died - again, newspaper coverage of the deaths of popular musicians / Sharon R. Mazzarella and Timoth M. Matyjewicz -- Coda -- Fragments of a sociology of rock criticism / Simon Frith -- Outro / Chris Nelson.

Author notes provided by Syndetics

Steve Jones is Professor of Communication at the University of Illinois, Chicago. Among his books are CyberSociety: Computer-Mediated Communication and Community (editor) and Rock Formation: Popular Music, Technology, and Mass Communication.Contributors: Jeff Chang, Martin Cloonan, Kevin Featherly, Mark Fenster, Simon Frith, Gestur Gudmundsson, Joli Jensen, Brenda Johnson-Grau, Holly Kruse, Ulf Lindberg, Timothy M. Matyjewicz, Sharon R. Mazzarella, Kembrew McLeod, Morten Michelsen, Chris Nelson, Robert B. Ray, Thomas Swiss, Hans Weisethaunet, and the editor.

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