Embracing the negative: Wim Delvoye's post-modernist critique of society, commodification and the world of art. [thesis] Shane Cummingham.
Material type: TextPublication details: Limerick : Limerick School of Art and Design/LIT ; 2016.Description: 43p. col. ill. : 30cmSubject(s): DDC classification:- Thesis Fine Art 16/02
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
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2 Hour Loan | LSAD Library Theses Collection | Thesis Fine Art 16/02 (Browse shelf(Opens below)) | 1 | Library Use Only | 39002100583286 |
Thesis submitted for B.A. Hons in Fine Art (Sculpture and Combined Media) 2016.
Includes bibliographical references
The objective of this paper is to examine Wim Delvoye s post-modernist critique of society and the corporate world. Primarily, through Delvoye s Cloaca and Art Farm projects, the emphasis of this paper will be to cross-examine the extremities Delvoye will take to provoke conservative moral opinions. This paper will reveal that, through the device of humour and cynicism, how it is Delvoye s aim to ridicule dichotomies in art, society and the corporate world.