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Objects in air: artworks and their outside around 1900 / Margareta Ingrid Christian.

By: Material type: TextTextPublisher: Chicago : The University of Chicago Press, 2021Description: 240 pages: illustrations; 23 cmSubject(s): Additional physical formats: Print version :: No titleDDC classification:
  • 701.8 CHR 23
Contents:
Introduction. Artworks and Their Modalities of Egress: The Air within and without Artworks Politics of Extravagation Mesologies of Form Medium and Milieu, or the Material Spaces of Air World Loss, Sitelessness, and the Artwork's Environments Aurai and Aura (Form and Space) Empathetic Artworks, Extensive Subjects 1. Aer, Aurae, Venti: Warburg's Aerial Forms and Historical Milieus Anima Fiorentina Inspiration Stimmung/Atmosphere Milieu as Air Ambiant The Accessories' Milieu Botticelli's Milieu The Physiology of Influence Disciplinary Milieus 2. Luftraum: Riegl's Vitalist Mesology of Form Horror vacui Umgebung Indehiscent Forms Cubic Space ('Air-Filled Empty Space') Air Space Respiración External Unity Kunstwollen 3. Saturated Forms: Rilke's and Rodin's Sculpture of Environment Reticence and Radiance Aesthetico-Biological Endeavors 'Archaic Torso of Apollo' Aesthetic Metabolisms Absorbed Milieus Gravid Forms Forms Striving for Incompletion Temporal Ecstasis 4. The 'Kinesphere' and the Body's Other Spatial Envelopes in Rudolf Laban's Theory of Dance Choreutics Spatiomaterial Radiance Psychophysiologically Saturated Space Anima, Air, Atmosphere: Laban and Kandinsky Luftkur, Plein Air Dance's Biological and Architectural Lifeworlds Coda. Space as Form Acknowledgments Notes Bibliography Index.
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Main Collection 701.8 CHR (Browse shelf(Opens below)) Available 39002100611731

Includes bibliographical references and index.

Introduction. Artworks and Their Modalities of Egress: The Air within and without Artworks Politics of Extravagation Mesologies of Form Medium and Milieu, or the Material Spaces of Air World Loss, Sitelessness, and the Artwork's Environments Aurai and Aura (Form and Space) Empathetic Artworks, Extensive Subjects 1. Aer, Aurae, Venti: Warburg's Aerial Forms and Historical Milieus Anima Fiorentina Inspiration Stimmung/Atmosphere Milieu as Air Ambiant The Accessories' Milieu Botticelli's Milieu The Physiology of Influence Disciplinary Milieus 2. Luftraum: Riegl's Vitalist Mesology of Form Horror vacui Umgebung Indehiscent Forms Cubic Space ('Air-Filled Empty Space') Air Space Respiración External Unity Kunstwollen 3. Saturated Forms: Rilke's and Rodin's Sculpture of Environment Reticence and Radiance Aesthetico-Biological Endeavors 'Archaic Torso of Apollo' Aesthetic Metabolisms Absorbed Milieus Gravid Forms Forms Striving for Incompletion Temporal Ecstasis 4. The 'Kinesphere' and the Body's Other Spatial Envelopes in Rudolf Laban's Theory of Dance Choreutics Spatiomaterial Radiance Psychophysiologically Saturated Space Anima, Air, Atmosphere: Laban and Kandinsky Luftkur, Plein Air Dance's Biological and Architectural Lifeworlds Coda. Space as Form Acknowledgments Notes Bibliography Index.

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