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Visual thinking / Rudolf Arnheim.

By: Material type: TextTextPublication details: Berkeley, Calif. ; London : University of California Press, 2004.Description: 345 p. : ill. (some col.)ISBN:
  • 0520242262 (pbk.) :
  • 9780520242265 (pbk.)
Subject(s): DDC classification:
  • 701.15 ARN
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 701.15 ARN (Browse shelf(Opens below)) 1 Available 39002000152067

Enhanced descriptions from Syndetics:

For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts.

Originally published: 2000.

Author notes provided by Syndetics

Rudolf Arnheim (July 15, 1904 - June 9, 2007) was an author, art and film theorist, and perceptual psychologist, as well as Professor Emeritus of the Psychology of Art at Harvard University. His books include Film as Art (California, 1957), Art and Visual Perception: A Psychology of the Creative Eye (California, 1974), The Dynamics of Architectural Form (California, 1977), and The Split and the Structure: Twenty-eight Essays (California, 1996).

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