Leave any information at the signal : writings, interviews, bits, pages / Ed Ruscha ; edited by Alexandra Schwartz.

Enhanced descriptions from Syndetics:

An anthology of writings, interviews, and images by artist Ed Ruscha.

Ed Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. Leave Any Information at the Signal not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period.

The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.

Table of contents provided by Syndetics

• Introduction and Acknowledgments (p. xiii)
• Part 1 Writings (p. 1)
• Statement in "'West Coast Style': Something about Los Angeles," (p. 3)
• Statement in "The Artist and Politics: A Symposium" (p. 4)
• Some of the '654 Things ...' List (p. 6)
• Statement in Henry Hopkins, 50 West Coast Artists (p. 10)
• Statement in "Picasso: A Symposium" (p. 12)
• A Proposal by Edward Ruscha for the Circuiar Ring and for the Lunettes of the New Miami-Dade Public Library, April 1985 (p. 14)
• A Proposal by Edward Ruscha for the Archway Lunettes of the Second and Third Floors of the Miami-Dade Public Library, April 1987 (p. 16)
• The Witness (p. 18)
• Statement in "What Artists Like about the Art They Like When They Don't Know Why," (p. 19)
• Part 2 Interviews (p. 21)
• Concerning Various Small Fires: Edward Ruscha Discusses His Perplexing Publications (p. 23)
• From Common Scenes, Mr. Ruscha Evokes Art (p. 28)
• Ed Ruscha Discusses His Latest Work with Christopher Fox (p. 30)
• Interview with Titia Tybout, May 27, 1971 (p. 34)
• Art: Interview with Ed Ruscha (p. 35)
• Ruscha as Publisher [or All Booked Up] (p. 40)
• My Books End Up in the Trash (p. 46)
• I'm Not Really a Photographer (p. 51)
• Words with Ruscha (p. 55)
• '... A Kind of a Huh?': An Interview with Edward Ruscha (p. 64)
• Feature Interview: Edward Ruscha (p. 73)
• A Conversation with Ed Ruscha (p. 82)
• Interview with Edward Ruscha in His Western Avenue, Hollywood Studio (p. 92)
• Ed Ruscha: An Interview (p. 210)
• L.A. Suggested by the Art of Edward Ruscha (p. 220)
• Ed Ruscha, Young Artist: Dead Serious about Being Nonsensical (p. 225)
• Catching Up with Ed Ruscha (p. 238)
• A Conversation with Edward Ruscha (p. 242)
• An Excerpt from "Art: L.A.R.T.: Edward Ruscha" (p. 247)
• "Interview with Edward Ruscha" (p. 250)
• "Premeditated: An Interview with Ed Ruscha" (p. 252)
• "A Few Words with Ed Ruscha" (p. 257)
• "Ed Ruscha: Goodbye to Vistas and All That" (p. 259)
• "Ed Ruscha" (p. 262)
• "Rebel with a Canvas: Ed Ruscha's Original Art Is Drawing Attention" (p. 269)
• "The Sentimental Musical Tastes of Ed Ruscha" (p. 272)
• "Ed Ruscha" (p. 274)
• "Ed Ruscha" (p. 281)
• "Hot Property" (p. 286)
• "An Interview with Edward Ruscha" (p. 288)
• "The Last Word" (p. 296)
• "Conversation with Ed Ruscha" (p. 300)
• "Getting a Read on Ed Ruscha" (p. 309)
• "A Conversation between Walter Hopps and Edward Ruscha, Who Have Known Each Other Since the Early 1960s, Took Place on September 26, 1992" (p. 312)
• "An Interview with Ed Ruscha," June 17, 1994 (p. 329)
• "Pronounce His Name Rew-shay" (p. 332)
• "Panoramic Art at Library Elusive but Impressive" (p. 336)
• "Library Muralist Slow to Praise ..." (p. 338)
• "Art Museum, Library to Feature 'Word' According to Ruscha" (p. 339)
• "Hollywood Decks the Halls: Ed Ruscha" (p. 341)
• "The Return of a Native Son: Painter Ed Ruscha Resurfaces in L.A." (p. 342)
• "Confession in Chelsea" (p. 344)
• "Lightening Up the Getty" (p. 345)
• "From Ruscha with Light" (p. 353)
• "Seeing Things Age is a Form of Beauty: A Conversation with Ed Ruscha" (p. 355)
• "Collecting Our Thoughts" (p. 361)
• "The Weather of Prints: An Interview with Edward Ruscha," July 16, 1998 (p. 362)
• Conversation with Edward Ruscha in His Studio, Venice, California, October 29, 1999 (p. 370)
• "Profile: The Paintings of Ed Ruscha" (p. 379)
• Part 3 Bits and Pages (p. 383)
• Notes (p. 431)
• Additional Sources (p. 437)
• Credits (p. 441)
• Index (p. 447)

Author notes provided by Syndetics