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The divine comedy. 1, Inferno / Dante Alighieri ; translated and edited by Robin Kirkpatrick.

By: Contributor(s): Material type: TextTextLanguage: engita Original language: Italian Series: Penguin classicsPublication details: London ; New York : Penguin Books, 2010.Edition: [New ed.]Description: cix, 449 p. : ill., map ; 21 cmISBN:
  • 9780141195872 (cloth)
  • 0141195878 (cloth)
Other title:
  • Inferno : the divine comedy, 1
  • Inferno
Uniform titles:
  • Inferno. English
Subject(s): DDC classification:
  • 851 DAN
Summary: Describing Dante's descent into Hell midway through his life with Virgil as a guide, this title depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 851 DAN (Browse shelf(Opens below)) 1 Available 39002100570010

Enhanced descriptions from Syndetics:

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design.

Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.

Includes bibliographical references (p. [cv]-cvii).

Describing Dante's descent into Hell midway through his life with Virgil as a guide, this title depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins.

Parallel Italian and English text.

Author notes provided by Syndetics

Born Dante Alighieri in the spring of 1265 in Florence, Italy, he was known familiarly as Dante. His family was noble, but not wealthy, and Dante received the education accorded to gentlemen, studying poetry, philosophy, and theology.

His first major work was Il Vita Nuova, The New Life. This brief collection of 31 poems, held together by a narrative sequence, celebrates the virtue and honor of Beatrice, Dante's ideal of beauty and purity. Beatrice was modeled after Bice di Folco Portinari, a beautiful woman Dante had met when he was nine years old and had worshipped from afar in spite of his own arranged marriage to Gemma Donati. Il Vita Nuova has a secure place in literary history: its vernacular language and mix of poetry with prose were new; and it serves as an introduction to Dante's masterpiece, The Divine Comedy, in which Beatrice figures prominently.

The Divine Comedy is Dante's vision of the afterlife, broken into a trilogy of the Inferno, Purgatory, and Paradise. Dante is given a guided tour of hell and purgatory by Virgil, the pagan Roman poet whom Dante greatly admired and imitated, and of heaven by Beatrice. The Inferno shows the souls who have been condemned to eternal torment, and included here are not only mythical and historical evil-doers, but Dante's enemies. The Purgatory reveals how souls who are not irreversibly sinful learn to be good through a spiritual purification. And The Paradise depicts further development of the just as they approach God. The Divine Comedy has been influential from Dante's day into modern times. The poem has endured not just because of its beauty and significance, but also because of its richness and piety as well as its occasionally humorous and vulgar treatment of the afterlife.

In addition to his writing, Dante was active in politics. In 1302, after two years as a priore, or governor of Florence, he was exiled because of his support for the white guelfi, a moderate political party of which he was a member. After extensive travels, he stayed in Ravenna in 1319, completing The Divine Comedy there, until his death in 1321.

(Bowker Author Biography)

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