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Syndetics cover image
Image from Syndetics

Markus Schinwald / Eva Schlegel (Hg./ed.).

By: Contributor(s): Material type: TextTextLanguage: German, English Publication details: Nürnberg : Verlag für Moderne Kunst, 2011.Description: 102 pages : color illustrations ; 29 cmContent type:
  • text, still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9783869842233
  • 3869842237
Subject(s): Genre/Form: DDC classification:
  • 700.92 SCH
LOC classification:
  • N6811.5.S3445 A4 2011
Summary: In the center of his artistic examination are the psychological exploration of space and body, eeriness and discomfort, the defective and the irrational depths of individual and collective existence. Schinwald focuses his observing gaze on the human body with all its deficiencies and on the sociocultural environment it is embedded in. Being involved by the artist in the spatial and temporal framework, the detached passive viewer becomes a protagonist, an active watcher who is given an opportunity to develop and pursue his or her own analogies and narrative strands. Exhibition: 54. Biennale di Venezia (4.6.-27.11.2011).
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Exhibition Catalogues 700.92 SCH (Browse shelf(Opens below)) Available 39002100711267

Enhanced descriptions from Syndetics:

'In his Biennale work, Schinwald confidently combines architectural elements with pictorial, sculptural, and filmic or performative ones. He subtly explores the dispositifs of control, discipline, and self-correction. These are inscribed in the human body, shaping and permeating it; they re-emerge on the body surface, in visible and tangible form, as psychologically charged inner worlds.' (Eva Schlegel)This book is published to accompany Markus Schinwald's contribution to the Austrian Pavilion at the 54th Venice Biennale 2011. Included is an interview between Markus Schinwald and Philipp Kaiser.English and German text.

Published in conjunction with Markus Schinwald's contribution for the Austrian Pavilion at the 54th Biennale di Venezia, 4 June-27 November 2011.

Includes bibliographical references (pages 94-95).

In the center of his artistic examination are the psychological exploration of space and body, eeriness and discomfort, the defective and the irrational depths of individual and collective existence. Schinwald focuses his observing gaze on the human body with all its deficiencies and on the sociocultural environment it is embedded in. Being involved by the artist in the spatial and temporal framework, the detached passive viewer becomes a protagonist, an active watcher who is given an opportunity to develop and pursue his or her own analogies and narrative strands. Exhibition: 54. Biennale di Venezia (4.6.-27.11.2011).

Text in German and English.

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