On ugliness / edited by Umberto Eco ; translated by Alastair McEwen.
Material type:
TextLanguage: English Original language: Italian Publication details: New York : Rizzoli, 2011, c2007.Edition: Pbk. edDescription: 455 p. : ill. (chiefly col.) ; 21 cmISBN: - 9780857051622 (pbk.)
- 0857051628 (pbk.)
- Storia della bruttezza. English.
- 111.85 ECO
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Standard Loan | LSAD Library Main Collection | 111.85 ECO (Browse shelf(Opens below)) | 1 | Available | 39002100439695 |
Enhanced descriptions from Syndetics:
Beauty and ugliness are two sides of the same coin; by ugliness we usually mean the opposite of beauty and we often define the first in order to understand the nature of the second. But the various depictions of ugliness over the centuries are richer and more unpredictable than is commonly thought. The striking images and anthological quotations in On Ugliness lead us on an extraordinary journey through the passions, terrors and nightmares of almost three thousand years, where acts of rejection go hand in hand with touching instances of empathy, and an aversion to deformity is accompanied by seductive violations of all classical canons. With his characteristic wit and erudition, Umberto Eco draws on examples in art and literature from ancient times to the present day. Abundantly illustrated with demons, madmen, vile enemies and disquieting presences, with freaks and the living dead, On Ugliness is conceived for a vast and diverse readership, and is an invaluable companion volume to On Beauty.
"Original hardover edition first published in the United States of American in 2007 by Rizzoli International Publications, Inc."--T.p. verso.
Includes bibliographical references (p. 441-446) and indexes.
I. Ugliness in the classical world. 1. A world dominated by beauty? ; 2. The Greek world and horror -- II. Passion, death, martyrdom. 1. The "pancalistic" view of the universe ; 2. The suffering of Christ ; 3. Martyrs, hermits, penitents ; 4. The triumph of death -- III. The apocalypse, hell, and the devil. 1. A universe of horrors ; 2. Hell ; 3. The metamorphoses of the devil -- IV. Monsters and portents. 1. Prodigies and monsters ; 2. An aesthetic of the immeasurable ; 3. The moralization of monsters ; 4. The Mirabilia ; 5. The fate of monsters -- V. The ugly, the comic, and the obscene. 1. Priapus ; 2. Satires on the peasantry and carnival festivities ; 3. Renaissance and liberation ; 4. Caricature -- VI. The ugliness of woman from antiquity to the baroque period. 1. The anti-female tradition ; 2. Mannerism and the baroque -- VII. The devil in the modern world. 1. From rebellious Satan to poor Mephistopheles ; 2. The demonstration of the enemy -- VIII. Witchcraft, satanism, sadism. 1. Witches ; 2. Satanism, sadism, and the taste for cruelty -- IX. Physica curiosa. 1. Lunar births and disembowelled corpses ; 2. Physiognomy -- X. Romanticism and the redemption of ugliness. 1. The philosophies of ugliness ; 2. The ugly and the damned ; 3. The ugly and the unhappy ; 4. The unhappy and the ill -- XI. The uncanny -- XII. Iron towers and ivory towers. 1. Industrial ugliness ; 2. Decadentism and the licentiousness and the ugly -- XIII. The avant-garde and the triumph of ugliness -- XIV. The ugliness of others, kitsch, and camp. 1. The ugliness of others ; 2. Kitsch ; 3. Camp -- XV. Ugliness today.
In a companion volume to his "History of Beauty," the renowned philosopher and cultural critic analyzes our attraction to the gruesome, horrific, and repellant in visual culture and the arts, drawing on abundant examples of painting and sculpture, ranging from antiquity to the works of Bosch, Goya, and others.