Pleading in the blood : the art and performances of Ron Athey / edited by Dominic Johnson.
Material type: TextSeries: Intellect livePublication details: Bristol, UK : Intellect : 2013.Description: 248 pages : chiefly color illustrations ; 27 cmISBN:- 9781783200351
- 1783200359
- 702.812 ATH
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Standard Loan | LSAD Library Main Collection | 702.812 ATH (Browse shelf(Opens below)) | 1 | Checked out | 30/06/2020 | 39002100574210 |
Enhanced descriptions from Syndetics:
Ron Athey is an iconic figure in the development of contemporary art and performance. In his frequently bloody portrayals of life, death, crisis, and fortitude in the time of AIDS, Athey calls into question the limits of artistic practice. These limits enable Athey to explore in his work key themes including gender, sexuality, S&M and radical sex, queer activism, post-punk and industrial culture, tattooing and body modification, ritual, and religion. Now in a second edition, Pleading in the Blood foregrounds the prescience of Athey's work, exploring how his visceral practice foresaw and precipitated the central place afforded sexuality, identity, and the body in art and critical theory in the late twentieth century.
" Pleading in the Blood offers a remarkable and enduring contribution to literatures on performance and contemporary art. . . . The potency of myth in Ron Athey's work is the problem tackled by this formidable new book." -- Contemporary Theatre Review
Ron Athey is an iconic figure in contemporary art and performance. In his frequently bloody portrayals of life, death, crisis, and fortitude in the time of AIDS, Athey calls into question the limits of artistic practice. These limits enable Athey to explore key themes including gender, sexuality, radical sex, queer activism, post-punk and industrial culture, tattooing and body modification, ritual, and religion. This landmark publication includes Athey's own writings, commissioned essays by maverick artists and leading academics, and full-color images of Athey's art and performances since the early 1980s. The diverse range of artistic and critical contributors to the book reflects Athey's creative and cultural impact, among them musician Antony Hegarty of Antony and the Johnsons who contributed a foreword.