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Give up art / Maria Fusco.

By: Material type: TextTextSeries: New documents ; 17.Publisher: New York New Documents [2017]Copyright date: 2017Edition: Edition of 2000Description: 150 PagesContent type:
  • Text
Media type:
  • ohne Hilfsmittel zu benutzen
Carrier type:
  • Band
ISBN:
  • 9781927354254
  • 1927354250
Subject(s): Other classification:
  • 701.18 FUS
Contents:
Notes on comic face -- . - 11 statements around art writing -- . - How hard it is to die: toward artists' novels -- . - The disappearance: 59 seconds -- . - In which the world is leaking in and you are leaking out: on The joy of sex -- . - Say who I am, or a broad private wink -- . - I went ot the house but did not enter -- . - Charles Henri Ford -- . - Populating her sparseness: writing Gonda -- . - On being faithful: adaptation -- . - Cosey and Maria talk about Linguistic hardcore -- . - Poor it is -- . - Freedom to starve -- . - machine oil smells sweet (piecework) -- . - Thing clutter -- . - 3,500 years of consecrated objects -- . - The incunabulum and the plastic bag -- . - General Idea: FILE magazine -- . - Ideal syllabus -- . - The critic as gesture, or John Malkovich's middle name is Gavin.
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Main Collection 701.18 FUS (Browse shelf(Opens below)) Available 39002100603514

Enhanced descriptions from Syndetics:

Give Up Art is the first collected anthology of Belfast-born writer Maria Fusco (born 1972).

Operating across the genres of fiction, criticism and theory, Fusco's work has helped forge a contemporary space for critical art writing in the UK and beyond. This interdisciplinary mode allows her to "write through the art object," collapsing her art and writing practice. Give Up Art brings together nearly two dozen essays, reviews and smaller pieces published between 2005 and 2015 as well as interviews with Cosey Fanni Tutti, Chris Kraus and Paul Winstanley. This is the second book by Maria Fusco published by New Documents, following the 2013 publication of With A Bao A Qu Reading When Attitudes Become Form .

Give Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco's work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017.

Notes on comic face -- . - 11 statements around art writing -- . - How hard it is to die: toward artists' novels -- . - The disappearance: 59 seconds -- . - In which the world is leaking in and you are leaking out: on The joy of sex -- . - Say who I am, or a broad private wink -- . - I went ot the house but did not enter -- . - Charles Henri Ford -- . - Populating her sparseness: writing Gonda -- . - On being faithful: adaptation -- . - Cosey and Maria talk about Linguistic hardcore -- . - Poor it is -- . - Freedom to starve -- . - machine oil smells sweet (piecework) -- . - Thing clutter -- . - 3,500 years of consecrated objects -- . - The incunabulum and the plastic bag -- . - General Idea: FILE magazine -- . - Ideal syllabus -- . - The critic as gesture, or John Malkovich's middle name is Gavin.

Table of contents provided by Syndetics

  • Notes on Comic Face (p. 7)
  • 11 Statements Around Art Writing (p. 13)
  • How Hard It Is to Die: Towards Artists' Novels (p. 17)
  • The Disappearance: 59 seconds (p. 27)
  • In Which the World Is Leaking In and You Are Leaking Out: On The Joy of Sex (p. 33)
  • Say Who I Am, or A Broad Private Wink (p. 37)
  • I Went to the House but Did Not Enter (p. 47)
  • Charles Henri Ford (p. 51)
  • Populating Her Sparseness: Writing Gonda (p. 55)
  • On Being Faithful: Adaptation (p. 65)
  • Cosey and Maria talk about Lingusitic Hardcore (p. 69)
  • Poort It Is (p. 89)
  • Freedom to Starve (p. 93)
  • Machine oil smells sweet (piecework) (p. 99)
  • Thing Clutter (p. 103)
  • 3,500 Years of Consecrated Objects (p. 109)
  • The Incunabulum and the Plastic Bag (p. 121)
  • General Idea: FILE Megazine (p. 133)
  • Ideal Syllabus (p. 137)
  • The Critic as Gesture, or John Malkovich's Middle Name Is Gavin (p. 143)
  • Text Credits (p. 149)

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