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Film theory : an introduction / Robert Lapsley and Michael Westlake.

By: Contributor(s): Material type: TextTextSeries: Images of culturePublication details: Manchester, UK : Manchester University Press ; New York : Distributed exclusively in the USA and Canada by St. Martin\'s Press, 1991, c1988.Description: viii, 248 p. ; 23 cmISBN:
  • 0719026024
Subject(s): DDC classification:
  • 791.43015 LAP
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 791.43015 LAP (Browse shelf(Opens below)) 1 Checked out 30/06/2020 39002000356460

Enhanced descriptions from Syndetics:

Backed by Brazil's wealthy agribusiness groups, a growing evangelical movement, and an emboldened military and police force, Jair Bolsonaro took office in 2019. Driven by the former army captain's brand of controversial, aggressive rhetoric, the divisive presidential campaign saw fake news and misinformation shared with Bolsonaro's tens of millions of social media followers. Bolsonaro promised simple solutions to Brazil's rising violent crime, falling living standards and widespread corruption, but what has emerged is Latin America's most right-wing president since the military dictatorships of the 1970s. Famous for his racist, homophobic and sexist beliefs and his disregard for human rights, the so-called 'Trump of the Tropics' has established a reputation based on his polemical, sensationalist statements. Written by a journalist with decades of experience in the field, Beef, Bible and bullets is a compelling account of the origins of Brazil's unique brand of right-wing populism. Lapper offers the first major assessment of the Bolsonaro government and the growing tensions between extremist and moderate conservatives.

Includes index.

Bibliography: p. [238]-240.

Table of contents provided by Syndetics

  • Foreword to the first edition
  • Foreword to the second edition
  • Part 1 Politics
  • Semiotics
  • Psychoanalysis
  • Part 2 Authorship
  • Narrative
  • Realism
  • The Avant-garde
  • Afterword
  • Film Theory: a retrospect
  • Notes
  • Select bibliography
  • Index

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