000			03066ngm a2200505 i 4500
001			kan6348182
003			CaSfKAN
005			20230116112750.0
006			m o c
007			cr una---unuuu
007			vz uzazuu
008			191010p20192009cau060 o vleng d
028	5	2	_a6348182 _bKanopy
035			_a(OCoLC)1124213945
040			_aCaSfKAN _beng _erda _cCaSfKAN
245	0	0	_aYoshiko Chuma: A Page Out of Order.
264		1	_bMichael Blackwood Productions, _c2009.
264		1	_a[San Francisco, California, USA] : _bKanopy Streaming, _c2019.
300			_a1 online resource (streaming video file) (61 minutes): _bdigital, .flv file, sound
336			_atwo-dimensional moving image _btdi _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
344			_adigital
347			_avideo file _bMPEG-4 _bFlash
500			_aTitle from title frames.
500			_aFilm
500			_aIn Process Record.
511	0		_aYoshiko Chuma
518			_aOriginally produced by Michael Blackwood Productions in 2009.
520			_aFilmed during Yoshiko Chuma’s 2009 staging of “Not About Romanian Cinema: POONARC” at Danspace in New York, a chapter from her on-going performance work “A Page Out of Order” which she started in 2001. It was inspired by “A Page of Madness”, a silent Japanese movie from 1926 by Teinosuke Kinugasa. Chuma sees a connection between the silent cinema and today’s performance art. Movement, beautiful and strange images, sounds and verbal fragments are the trademarks of her performance work. When Yoshiko Chuma arrived in New York in 1976 from Japan, she was attracted by the postmodern dance innovators in Manhattan ’s downtown. By 1980 she presented her own vision of movement at the Venice biennale, adding visual artists, actors, filmmakers, sound design and musicians to her concepts. Her company, “School of Hard Knocks”, meaning “learning the hard way” or “continuous experimentation”, is a unique creative force in New York ’s dance scene. Chuma sees herself by now as a citizen of the world, collaborating with artists in many countries in Asia and Europe, integrating aspects of their cultures into her performance work. This documentation offers insights into the choreographer’s many-sided and far-reaching search for an abstract universal performance language, that will be understood everywhere.
538			_aMode of access: World Wide Web.
546			_aIn English
650		0	_aDance. _92264
650		0	_aWomen's studies. _96270
650		0	_aArtists. _91223
650		0	_aPerforming arts. _94659
650		0	_aDocumentary films. _94332
655		7	_aDocumentary films. _2lcgft
700	1		_aYamazaki, Rima, _efilm director.
700	1		_aChuma, Yoshiko, _eactor.
710	2		_aMichael Blackwood Productions (Firm), _4dst
710	2		_aKanopy (Firm), _4dst
856	4	0	_uhttps://tus.kanopy.com/node/5348183 _zA Kanopy streaming video
856	4	2	_zCover Image _uhttps://www.kanopy.com/node/5348183/external-image
999			_c248890 _d248890