000 | 01881ngm a2200445 i 4500 | ||
---|---|---|---|
001 | kan6679394 | ||
003 | CaSfKAN | ||
005 | 20230116113112.0 | ||
006 | m o c | ||
007 | cr una---unuuu | ||
007 | vz uzazuu | ||
008 | 191010p20192014cau030 o vleng d | ||
028 | 5 | 2 |
_a6679394 _bKanopy |
035 | _a(OCoLC)1129198937 | ||
040 |
_aCaSfKAN _beng _erda _cCaSfKAN |
||
245 | 0 | 0 |
_aWriting Great Fiction. _nEpisode 15, _pSeeing through Other Eyes - Point of View. |
264 | 1 |
_bThe Great Courses, _c2014. |
|
264 | 1 |
_a[San Francisco, California, USA] : _bKanopy Streaming, _c2019. |
|
300 |
_a1 online resource (streaming video file) (30 minutes): _bdigital, .flv file, sound |
||
336 |
_atwo-dimensional moving image _btdi _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
344 | _adigital | ||
347 |
_avideo file _bMPEG-4 _bFlash |
||
500 | _aTitle from title frames. | ||
500 | _aFilm | ||
500 | _aIn Process Record. | ||
511 | 0 | _aJames Hynes | |
518 | _aOriginally produced by The Great Courses in 2014. | ||
520 | _aWhat happens in a story depends in large part on who tells it. The three-part unit on point of view begins with a quick tour of the major points of view, from the third-person omniscient to the subjective first person. You'll also see how point of view is linked to time. As it turns out, when a story is told matters just as much as who tells it. | ||
538 | _aMode of access: World Wide Web. | ||
546 | _aIn English | ||
650 | 0 |
_aLiterature. _93909 |
|
655 | 7 |
_aEducation films. _2lcgft |
|
700 | 1 |
_aHynes, James, _eactor. |
|
710 | 2 |
_aThe Great Courses (Firm), _4dst |
|
710 | 2 |
_aKanopy (Firm), _4dst |
|
856 | 4 | 0 |
_uhttps://tus.kanopy.com/node/5679395 _zA Kanopy streaming video |
856 | 4 | 2 |
_zCover Image _uhttps://www.kanopy.com/node/5679395/external-image |
999 |
_c249314 _d249314 |