000 | 01415nam a2200253 a 4500 | ||
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008 | 2014 | ||
082 | 0 | 4 | _aThesis Graphics 14/01 |
100 | 1 | _aBarwell, Katy | |
245 | 1 | 0 |
_aColour and metaphor in film title sequences: an analysis of James Bond title sequences, focusing on live and let die and skyfall. _h[thesis]. _cKaty Barwell. |
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_aLimerick : _bLimerick School of Art and Design/ LIT./ ; _c2014 |
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_a34p. : _bill (some col) . : _c30cm |
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502 | _aThesis submitted for B.A. in Visual Communications 2014 | ||
504 | _aIncludes bibliographical references | ||
505 | 0 | _aThis essay explores the meaning brought to us through the medium of the title sequence and how it impacts on our expectations of Bond's character as well as its importance to the film. Through cinematic and design techniques, the title sequence has pushed boundaries in design, and paved the way for the feature film to follow like never before. | |
650 | 0 | _aJames Bond. | |
650 | 0 | _aTitle sequences | |
650 | 0 | _aCinematic and design techniques. | |
650 | 0 | _aVisual Communications theses | |
650 | 0 |
_aTheses _xLSAD _zClare Street |
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902 | _a171006 | ||
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_a.b12096404 _bclare _cclare |
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_b0 _c140714 _dm _eg _f- _g0 |
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_c41271 _d41271 |