000 | 01215nam a2200229 a 4500 | ||
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008 | 2015 | ||
082 | 0 | 4 | _aThesis Fine Art 15/02 |
100 | 1 | _aBlake, Keith. | |
245 | 1 | 0 |
_aFrom Vilhelm Hammershoi to Carl Theodor Dreyer: _bThe correlation between painting and filmmaking. _h[thesis] _cKeith Blake. |
260 |
_aLimerick : _bLimerick School of Art and Design/LIT ; _c2015. |
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300 |
_a38 p. : _b col. ill. : _c30cm. |
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502 | _aThesis submitted for B.A. Hons in Fine Art (Painting) 2015. | ||
504 | _aIncludes bibliographical references | ||
505 | 0 | _aThe aim of this extended essay is to examine the formal aspects of the oeuvre of Carl Theodor Dreyer. It will investigate how a filmmaker exploits elements (e.g. line and tone) that one ordinarily assumes to be exclusive to the practice of painting. | |
650 | 0 |
_aTheses _xLSAD _zClare Street. |
|
650 | 0 | _aFine art theses. | |
650 | 0 |
_aCarl Theodor Dreyer _vFilmaker. |
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902 | _a171006 | ||
907 |
_a.b12240291 _bclare _cclare |
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942 | _n0 | ||
998 |
_b0 _c150701 _dm _eg _f- _g0 |
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999 |
_c42723 _d42723 |