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The narratives of objects: A critical analysis of my studio practice in relation to language theory. [thesis]/ Dan Flaherty.

By:

Flaherty, Dan

Material type: Text

TextPublication details: Limerick : Limerick School of Art and Design/LIT, 2015. Description: 45 p. : col. ill. : 30cmSubject(s):

DDC classification:

Thesis Fine Art 15/09

Dissertation note: This dissertation and the practical work associated with it have their basis in an interest in structuralist and post structuralist theories which affect the way we view and use text and other material in a visual art context. The aim of this paper is to explore the particular aspects of theory and their relationship to my practice and to examine the different aspects of that practice, from object making to video.Thesis submitted for B.A. Hons in Fine Art (Painting) 2015.

Holdings ( 1 )
Title notes ( 3 )

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Item type	Current library	Call number	Copy number	Status	Date due	Barcode
2 Hour Loan	LSAD Library Theses Collection	Thesis Fine Art 15/09 (Browse shelf(Opens below))	1	Library Use Only		39002100579029

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Previous	Thesis Fine Art 15/06 A Discussion on the Nude versus the Naked Female Figure with Special Reference to TV Shows Girls and Game of Thrones.	Thesis Fine Art 15/07 The Hermaphrodite: The creation of the third gender through the bodily assemblage of collage.	Thesis Fine Art 15/08 Constructing the Impossible Post-Mortem Self-Portrait. A reflection on the artificial staging of death for aesthetic purpose, with specific studies dedicated to Sean Ellis, Gregory Crewdson, Paul Thek and Marina Abramovic.	Thesis Fine Art 15/09 The narratives of objects: A critical analysis of my studio practice in relation to language theory.	Thesis Fine Art 15/10 An exploration of film dialogue as an aesthetic quality: The Coen Brothers Fargo (1996) as case study..	Thesis Fine Art 15/11 Day of the woman : a discussion of the exploitation of women in the film 'I spit on your grave' : contemporary culture and art.	Thesis Fine Art 15/12 The dionsyiac adventure of The Grateful Dead.	Next

This dissertation and the practical work associated with it have their basis in an interest in structuralist and post structuralist theories which affect the way we view and use text and other material in a visual art context. The aim of this paper is to explore the particular aspects of theory and their relationship to my practice and to examine the different aspects of that practice, from object making to video.

Thesis submitted for B.A. Hons in Fine Art (Painting) 2015.

Includes bibliographical references

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