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Constructing Deconstructions. [Extended Essay] / Eva Haran.

By:

Haran, Eva

Material type: Text

TextPublication details: Limerick : Limerick Institute of Technology/Limerick School of Art and Design ; 2016Description: 50p. : ill (some col) . : 30cmSubject(s):

DDC classification:

Thesis Fashion 06/16

Contents:

Dissertation note: Thesis submitted for B.A. (Hons) in Fashion Design 2016

Holdings ( 1 )
Title notes ( 3 )

Holdings
Item type	Current library	Call number	Copy number	Status	Date due	Barcode
2 Hour Loan	LSAD Library Theses Collection	Thesis Fashion 06/16 (Browse shelf(Opens below))	1	Library Use Only		39002100583161

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Previous	Thesis Fashion 05/07 Major fashion centres offer opportunities which could never be found in Dublin?	Thesis Fashion 05/16 A feminist analysis of the self-proclaimed feminist pop icons.	Thesis Fashion 05/17 Individuality and the modern fashion designer: dimensions, difficulties and dilemas. [Extended Essay] /	Thesis Fashion 06/16 Constructing Deconstructions.	Thesis Fashion 06/17 An exploratrion into the interdependence of the opposites "life and death", "happiness and sadness" and "good and evil" that inform the theme of transformation in the work of the late Fashion Designer Lee Alexander McQueen. [Extended Essay] /	Thesis Fashion 07/16 How and why should sustainable fashion practices be situated in contemporary fashion education situations?	Thesis Fashion 07/17 The importance of craft: A solution to combat environmental and ethical issues within the fashion industry today?[Etended Essay]/	Next

Thesis submitted for B.A. (Hons) in Fashion Design 2016

Includes bibliographical References.

This project is an examination of the history of the aesthetic of deconstruction and decay in fashion since the 1990s and its ongoing relevance in contemporary design. A study is conducted of Maison Martin Margiela s earlier work as a leading advocate of deconstructionism in contrast to contemporary collections from Hussein Chalayan, Faustine Steinmetz and Kanye West. While principles and values of these designers may vary, their general aesthetic remains the same. With the unfinished, disintegrated look trending and upclying is on the rise; what is the attraction of this aesthetic and why it has become more socially acceptable and desirable to wear such look that is used and unfinished in a luxurious form is explored. [Abstract]