Wolfgang Tillmans. Abstract pictures. Dominic Eichler.
Material type: TextPublication details: Ostfildern : Hatje/Cantz 2015.Description: 384 pages; color illustrations; 27cmISBN:- 9783775740814
- 3775740813
- 770.92 TIL
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Standard Loan | LSAD Library Main Collection | 770.92 TIL (Browse shelf(Opens below)) | 1 | Available | 39002100629196 |
Browsing LSAD Library shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
770.92 TIL Burg / | 770.92 TIL Wolfgang Tillmans / | 770.92 TIL Neue Welt / | 770.92 TIL Wolfgang Tillmans. Abstract pictures. | 770.92 TOW The Mennonites : a biographical sketch / | 770.92 TRO Healing waters photographs and commentary by Linda Troeller | 770.92 TUR The Russian heart days of crisis & hope photographs and journal by David C. Turnley introduction by William Keller |
Enhanced descriptions from Syndetics:
Apart from his seminal portraits, party images, and still lifes that gained him recognition in the nineties, Wolfgang Tillmans (*1968 in Remscheid) long ago began dealing with more abstract motifs. In the past decade he has consistently developed his approach to create totally non-representational works that examine themes such as the process of exposure and image supports. From the delicate veils of color in Blushes and Freischwimmer or the sculptural paper drops made of rolled-up photographic paper, to the colorfully compelling works of the Lighter series, the photograph itself-essentially divorced from its reproductive function-becomes the objet d'art, as the book here, designed by the artist himself, impressively demonstrates.
Apart from his seminal portraits, party images, and still lifes that gained him recognition in the nineties, Wolfgang Tillmans (*1968 in Remscheid) long ago began dealing with more abstract motifs. In the past decade he has consistently developed his approach to create totally non-representational works that examine themes such as the process of exposure and image supports. From the delicate veils of color in Blushes and Freischwimmer or the sculptural paper drops made of rolled-up photographic paper, to the colorfully compelling works of the Lighter series, the photograph itself — essentially divorced from its reproductive function — becomes the objet d’art, as the book here, designed by the artist himself, impressively demonstrates.