From Vilhelm Hammershoi to Carl Theodor Dreyer: The correlation between painting and filmmaking. [thesis] Keith Blake.
Material type: TextPublication details: Limerick : Limerick School of Art and Design/LIT ; 2015. Description: 38 p. : col. ill. : 30cmSubject(s): DDC classification:- Thesis Fine Art 15/02
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
2 Hour Loan | LSAD Library Theses Collection | Thesis Fine Art 15/02 (Browse shelf(Opens below)) | 1 | Library Use Only | 39002100578955 |
Thesis submitted for B.A. Hons in Fine Art (Painting) 2015.
Includes bibliographical references
The aim of this extended essay is to examine the formal aspects of the oeuvre of Carl Theodor Dreyer. It will investigate how a filmmaker exploits elements (e.g. line and tone) that one ordinarily assumes to be exclusive to the practice of painting.