Moments Like This Never Last.

Contributor(s):

Material type: Film

FilmPublisher number: 12394276 | KanopyPublisher: Utopia, 2020Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2022Description: 1 online resource (streaming video file) (97 minutes): digital, .flv file, soundContent type:

two-dimensional moving image

Media type:

computer

Carrier type:

online resource

Subject(s):

Genre/Form:

Documentary films.

Online resources:

Adi Gil, Agathe Snow, Anne Apparu, Anthony Haiden Guest, Ben Solomon, Blaire HansonSummary: MOMENTS LIKE THIS NEVER LAST explores the life and legacy of the late artist Dash Snow (1981-2009) who died of a heroin overdose in a Noho hotel room at the age of 27. Growing up in the beautifully fucked up Manhattan, before Giuliani and the broken window war, before Disney sanitized 42nd street of prostitutes and pornographers, before lower manhattan turned into a shopping mall, chaos came naturally. He reveled in the fraying social fabric of 80s New York and fought capricious authority at home, at the “juvi” institution he was locked up in, and on the streets. In a jeremiad of graffiti, trash assemblages, un-photoshopable polaroids, cum stained headlines, collage and feral rituals archived on super 8, Dash celebrated creation, destruction and the marginalized, striking out at the social pasteurization and criminalization of nonconformity happening all around him.

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Film

In Process Record.

Adi Gil, Agathe Snow, Anne Apparu, Anthony Haiden Guest, Ben Solomon, Blaire Hanson

Originally produced by Utopia in 2020.

MOMENTS LIKE THIS NEVER LAST explores the life and legacy of the late artist Dash Snow (1981-2009) who died of a heroin overdose in a Noho hotel room at the age of 27. Growing up in the beautifully fucked up Manhattan, before Giuliani and the broken window war, before Disney sanitized 42nd street of prostitutes and pornographers, before lower manhattan turned into a shopping mall, chaos came naturally. He reveled in the fraying social fabric of 80s New York and fought capricious authority at home, at the “juvi” institution he was locked up in, and on the streets. In a jeremiad of graffiti, trash assemblages, un-photoshopable polaroids, cum stained headlines, collage and feral rituals archived on super 8, Dash celebrated creation, destruction and the marginalized, striking out at the social pasteurization and criminalization of nonconformity happening all around him.

Mode of access: World Wide Web.

In English