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The international art markets : the essential guide for collectors and investors / consultant editor, James Goodwin.

Contributor(s): Material type: TextTextPublication details: London ; Philadelphia : Kogan Page, 2009.Description: xxiii, 360 p., [16] p. of plates ; : col. ill. ; 24 cmISBN:
  • 0749455926 (pbk.)
  • 9780749455927 (pbk.)
Subject(s): DDC classification:
  • 706.8 GOO
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 706.8 GOO (Browse shelf(Opens below)) 1 Available 39002100451211

Enhanced descriptions from Syndetics:

Art continues to prove itself a sound, not to mention exhilarating and satisfying investment, and The International Art Markets shows the huge scope for diversification within that market. Despite the financial crisis of 2007/8 and its after effects, international trade in art and collectibles has grown over 55% from $29bn in 2009 to $45bn in 2013. That now includes major art trading countries from the recently developed and developing world. In 43 chapters, written by 58 mostly locally-based experts from the art trade, it covers 21 countries from Europe, 12 from Asia and Australasia, five from South America, four from the Middle East and Africa, and two from North America. Each chapter provides the following essential information you need to understand the market in each country: art market history including taste, fashion, value, artists, art types, subjects, sales, prices and records; market structure and performance, including auctioneers, dealers, trade associations, museums, exhibitions, fairs, training and education; and tax and regulation.Comprehensive, informed and packed with valuable information, The International Art Markets will be the first point of reference for art collectors and investors and anyone who wants to understand the enormous breadth and complexity of the world's art markets.To complement this book, some of the individual countries featured in the text are accompaniedby additional online material on the historical background of their particular market.

Originally published: London ; Philadelphia : Kogan Page Ltd., 2008.

First published in paperback in 2009--T.p. verso.

Includes bibliographical references and index.

Table of contents provided by Syndetics

  • Foreword
  • Preface and acknowledgements
  • Contributors' notes
  • Introduction
  • The trading of art
  • Art research
  • The workings of the art market
  • Art indexes
  • Corporate collections
  • Museums
  • Supply and demand
  • Value
  • The collector
  • The investor
  • Art and the law
  • A new age and a shift of economic power
  • Tax and the global art market
  • The internet art market
  • Bibliography
  • 1 Sub-Saharan Africa
  • Introduction
  • The art market: an abyss between antique and contemporary
  • The antique sector
  • The contemporary sector
  • Museums
  • Galleries
  • Exhibitions and art fairs
  • Prices, artists and trends
  • Conclusion
  • Bibliography and sources
  • 2 Argentina
  • Introduction
  • The current Argentine art market
  • Sales volume of Argentine art at auctions
  • The 10 most expensive works of Argentine art on the market
  • Conclusion
  • 3 Australia
  • I come from the land down under
  • A segmented market: Australian, aboriginal and international art
  • Financial indicators and performance
  • The players
  • The regulatory environment
  • Buyer characteristics
  • Conclusion
  • Bibliography
  • 4 Austria
  • Short history
  • Auction houses in Austria
  • The Austrian art market
  • Export law and restitution
  • Collecting fields
  • 20th-century Austrian art
  • Contemporary art
  • Sources of further information
  • 5 Belgium
  • Introduction
  • The Belgian art market
  • Collectors and collections
  • Belgian artists on international markets
  • Legal issues and taxation
  • Bibliography
  • 6 Brazil
  • The current art market in Rio de Janeiro and São Paulo
  • Artists who influence the market
  • Trends
  • Contacts and institutions
  • Legal and regulatory aspects of the local art market
  • Conclusion
  • Bibliography
  • 7 Canada
  • Introduction
  • Sources of data
  • Market data
  • Conclusion
  • Bibliography
  • 8 Chile
  • Introduction
  • The point of view of the artist
  • The importance of management
  • Consumption statistics
  • Summary
  • 9 China
  • Introduction
  • The art market by sector
  • The contemporary art market
  • Conclusion
  • 10 Czech Republic
  • Profile of the Czech art market
  • The market for contemporary art in the Czech Republic
  • The current auction market in the Czech Republic
  • Important addresses
  • 11 Denmark and Iceland
  • The art market
  • Historical patronage
  • Auctions and galleries
  • Galleries in Denmark
  • Galleries in Iceland
  • Art awards
  • Taxation
  • Conclusion
  • Bibliography and contact information
  • 12 Finland
  • Finnish art markets today
  • The prices of artworks
  • Investing in art through Finnish auctions
  • Some Finnish artists and art categories
  • Art sale institutions in Finland
  • Important summer exhibitions
  • 13 France
  • History
  • The main players on the market
  • The buyers
  • French specialities
  • Exports
  • 14 Germany
  • Collecting and dealing
  • Investing in German art
  • Bibliography
  • 15 Greece
  • Galleries
  • Fairs/biennials
  • Auctioneers
  • Collectors and collections
  • Public collections and museums
  • Legal issues and taxation
  • Acknowledgements
  • Bibliography
  • 16 India
  • The growth of the art market in India
  • The art market today
  • Galleries
  • Art fairs, biennales and triennials
  • Auctions
  • Market performance
  • Select bibliography
  • 17 Indonesia
  • Indo-European art
  • Indonesian modern art
  • The Balinese school
  • Indonesian contemporary art
  • Reference
  • 18 Ireland
  • The Irish art trade
  • The Irish taxation system
  • References
  • 19 Israel
  • History and background
  • The market characteristics
  • How to buy and sell in Israel û historical facts
  • Buyers
  • Tax and regulations
  • The art trade structure
  • Recent and important art market results
  • Market trends
  • 20 Italy
  • The Italian art market
  • The market in Italy
  • Structure of the market
  • Art and cultural demand
  • Art market legislation
  • Reference
  • 21 Japan
  • Introduction
  • The art market
  • Collecting post-war and contemporary art
  • Museums
  • Media and references
  • Acknowledgements
  • 22 Malaysia
  • The artists
  • The government's role
  • Auction houses
  • Art dealers
  • The collectors
  • Conclusion
  • Selected bibliography
  • 23 Mexico
  • The importance of 20th century Mexican art
  • The current art market
  • Trends
  • 24 The Middle East and North Africa
  • Categories of art
  • Galleries
  • Local auctions
  • International auctions 0
  • Museums
  • Biennials
  • Fairs
  • Collectors and collections
  • Local media coverage
  • Legal issues and taxation
  • Prognosis
  • 25 The Netherlands
  • Dutch art internationally: prominence thanks to fertile soil
  • Dutch contemporary artists in the international market
  • Dutch design
  • The Dutch markets for global art today
  • Local Dutch art and art markets
  • The role of the government in the art scene: public and private spending on the arts
  • Reference
  • 26 New Zealand
  • The structure of the art market in New Zealand
  • Auctions
  • Dealers
  • Art consultants
  • Art buyers
  • Recent prices and trends in the NZ art market
  • 27 Norway
  • Exhibitions and education
  • The market and market conditions
  • Art publications
  • Auction houses, dealers and galleries
  • Collectors
  • Visual arts
  • Decorative arts
  • Acknowledgements
  • Bibliography
  • 28 The Philippines
  • The art market
  • References
  • 29 Poland
  • Introduction
  • Auctioneers, dealers and modern art galleries
  • Collections and collectors
  • Polish artists on the international market
  • References
  • 30 Portugal
  • Taste and trends
  • Market structure
  • Collectors
  • Final notes
  • Acknowledgements
  • Reference
  • 31 Russia
  • The art market today
  • Auction houses
  • Art fairs
  • Art and taxation
  • Education and dxpertise
  • Contemporary art
  • Conclusion
  • 32 Singapore
  • Introduction
  • Auction houses
  • Art fairs and infrastructure
  • Tax and other incentives
  • Art specialist skills and services
  • References
  • 33 South Africa
  • Introduction
  • Key artists
  • Conclusion
  • 34 South Korea
  • Art presently sold
  • Players
  • Art fairs in Korea
  • Auctions
  • Korean art in the international auction market
  • 35 Spain
  • The art market and legislation
  • Investing in the Spanish art market
  • The Spanish art market: booming since the 1990s
  • Challenges faced by the Spanish art market
  • Museums, foundations, collectors, publishers and the art market
  • Bibliography
  • 36 Sweden
  • Introduction
  • Patronage and collections, private and public
  • The international marketplace for Swedish art
  • Taxation
  • Conclusion
  • References
  • 37 Switzerland
  • Introduction
  • The Swiss gallery scene
  • The leading fair for modern and contemporary art
  • The secondary market in Switzerland
  • Jewels and wristwatches
  • Swiss impact on international art markets
  • Legal framework
  • 38 Taiwan
  • Taiwan's recent history and current art market performances
  • The antique and Old Master markets
  • Conclusion
  • 39 Thailand
  • Introduction
  • Galleries: an introduction
  • The art market
  • Collectors
  • Media
  • References
  • 40 Turkey
  • The Turkish art market
  • Collectors
  • Public collections and museums
  • Taxation
  • Bibliography
  • 41 The United Kingdom
  • The auction market
  • The market for British art
  • Leading British artists
  • 42 The United States
  • New York
  • Art shows and fairs
  • The New York gallery scene
  • 43 Venezuela
  • The colonial era
  • Travellers to the New World
  • The 19th century
  • The 20th century; 20 to the present
  • Index

Author notes provided by Syndetics

James Goodwin writes and lectures on the art markets and ancient furniture. His writing and research has appeared in The Economist, Financial Times and the Wall Street Journal, as well as numerous art and antiques magazines.

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