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Smithereens.

Contributor(s): Material type: FilmFilmPublisher number: 12814107 | KanopyPublisher: The Criterion Collection, 1982Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2022Description: 1 online resource (streaming video file) (94 minutes): digital, .flv file, soundContent type:
  • two-dimensional moving image
Media type:
  • computer
Carrier type:
  • online resource
Subject(s): Genre/Form: Online resources: Brad Rinn, Nada Despotovich, Richard Hell, Susan BermanSummary: Susan Seidelman established her distinctive vision of New York City with this debut feature, the lo-fi original for her vibrant portraits of women reinventing themselves. After escaping New Jersey, the quintessentially punk Wren (Susan Berman)—a spark plug in fishnets—moves to the city with the mission of becoming famous. When not pasting up self-promotional flyers or hanging at the Peppermint Lounge, she’s getting involved with Paul (Brad Rinn), the nicest guy to ever live in a van next to the highway, and Eric (Richard Hell), an aloof rocker. Shot on 16 mm film that captures the grit and glam of downtown in the 1980s, with an alternately moody and frenetic soundtrack by the Feelies and others, SMITHEREENS—the first American independent film to compete for the Palme d’Or—is an unfaded snapshot of a bygone era.
No physical items for this record

Title from title frames.

Film

In Process Record.

Brad Rinn, Nada Despotovich, Richard Hell, Susan Berman

Originally produced by The Criterion Collection in 1982.

Susan Seidelman established her distinctive vision of New York City with this debut feature, the lo-fi original for her vibrant portraits of women reinventing themselves. After escaping New Jersey, the quintessentially punk Wren (Susan Berman)—a spark plug in fishnets—moves to the city with the mission of becoming famous. When not pasting up self-promotional flyers or hanging at the Peppermint Lounge, she’s getting involved with Paul (Brad Rinn), the nicest guy to ever live in a van next to the highway, and Eric (Richard Hell), an aloof rocker. Shot on 16 mm film that captures the grit and glam of downtown in the 1980s, with an alternately moody and frenetic soundtrack by the Feelies and others, SMITHEREENS—the first American independent film to compete for the Palme d’Or—is an unfaded snapshot of a bygone era.

Mode of access: World Wide Web.

In English

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