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An examination of the contemporary phenomenon of the monstrous feminine through visual culture (1989-2013). [thesis] Aisling Walsh.

By: Material type: TextTextPublication details: Limerick : Limerick School of Art and Design/LIT ; 2014.Description: 31 p. col. ill. : 30cmSubject(s): DDC classification:
  • Thesis Fine Art 14/33
Contents:
Throughout the duration of my extended essay I will explore the "Monstrous Feminine" in relation to two generations of female artists in contemporary practice. I aim to create a framework and build an analysis of contemporary visual culture in relation to the existing phenomenon of the monstrous feminine. Using female artists from 1989 to 2013 while also exploring the significance of re-evaluating Kristeva's Theory of Abjection, Freudian Theory, and the notion of passive feminity to validate the significance of the Monstrous Feminine in contemporary visual culture.
Dissertation note: Thesis submitted for B.A. Hons in Fine Art (Painting) 2014.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
2 Hour Loan LSAD Library Theses Collection Thesis Fine Art 14/33 (Browse shelf(Opens below)) 1 Library Use Only 39002100571588

Thesis submitted for B.A. Hons in Fine Art (Painting) 2014.

Includes bibliographical references

Throughout the duration of my extended essay I will explore the "Monstrous Feminine" in relation to two generations of female artists in contemporary practice. I aim to create a framework and build an analysis of contemporary visual culture in relation to the existing phenomenon of the monstrous feminine. Using female artists from 1989 to 2013 while also exploring the significance of re-evaluating Kristeva's Theory of Abjection, Freudian Theory, and the notion of passive feminity to validate the significance of the Monstrous Feminine in contemporary visual culture.

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