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A study of Diegesis and Mimesis in Andrei Tarkovsky's Stalker (1979) - with reference to Time and the Frame [thesis] Lorraine Cleary.

By: Material type: TextTextPublication details: Limerick : Limerick School of Art and Design/LIT ; 2014. Description: [44] p. : col. ill. : 30cmSubject(s): DDC classification:
  • Thesis Fine Art 14/04
Contents:
This essay endeavour's to discuss the formal elements in the filmic consturction of Stalker, a film directed by Andrei Tarkovsky. In analysisng the film aesthetic of Stalker, an attempt is made to demonstrate the importance of how art is positioned in relation to the viewer, illustrating Tarkovsky's relevance to contemporary art practice.
Dissertation note: Thesis submitted for B.A. Hons in Fine Art ((Sculpture & Combined Media)) 2014.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
2 Hour Loan LSAD Library Theses Collection Thesis Fine Art 14/04 (Browse shelf(Opens below)) 1 Library Use Only 39002100571349

Thesis submitted for B.A. Hons in Fine Art ((Sculpture & Combined Media)) 2014.

Includes bibliographical References

This essay endeavour's to discuss the formal elements in the filmic consturction of Stalker, a film directed by Andrei Tarkovsky. In analysisng the film aesthetic of Stalker, an attempt is made to demonstrate the importance of how art is positioned in relation to the viewer, illustrating Tarkovsky's relevance to contemporary art practice.

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